![dbx driverack 260 response curve d frequency dbx driverack 260 response curve d frequency](https://www.acclaim-music.com/live/images/D/32549_dbx_260v_DBX-260V-ACCLAIM-THUMB.jpg)
This will not be an in-depth, dispassionate, or measurement based review. I opted for the Venu 360 over the less expensive PA2, only because I needed the Venu's digital inputs to accept the digital out from my Logitech Transporter. I recently replaced the Behringer DEQ2496 EQ & DCX2496 crossover, driving my homebuilt hybrid electrostats & Ripole subs, with a DBX Driverack Venu 360 crossover/EQ. I'm not a PA guy so it's all Greek to me.īelow are screen shots of the PA2 and Venu 360 remote control app home/function screens, which show the available functions: For example the Venu has three separate input processing chains (versus one in the PA2), as well as capability to make interconnections between the chains. And aside from the extra/digital inputs on the Venu 360, the other differences apply to PA applications where you might need to daisy chain components. ) are identical in the PA2 and Venu 360.īoth have six output channels. I'm still learning all the features but I'm pretty sure that everything you would use in a home stereo application (crossovers, EQ's, limiters, time-delays, etc. Two friends who I built ESLs for are using the Driverack PA2.
![dbx driverack 260 response curve d frequency dbx driverack 260 response curve d frequency](https://thumbs.static-thomann.de/thumb/padthumb600x600/pics/bdb/195274/12842217_800.jpg)
I have a modest but pleasant sounding DAC and primary source will be analog. I am looking to use it as a means of "measuring" the effects of changes in passive tuning components (resistor values in an ESL segmentation network), from an established baseline using the DBX Auto EQ and then a Ripole sub support. I will have a thorough read of specs, just the saving is significant for a first time venture into this area. So the PA2 has the same functionality as the Venu 360, apart from no digital input? If Joe Morello's high-hats sound crisp on that track then I didn't go overboard taking the edge of Erin's voice on HolidayĬongratulations again. If you can tweak out the edge on Erin's voice at around 3k nothing else you're likely to play will sound harsh.Īfter "Holiday", I follow up with Dave Brubeck's "Take Five". Ms Bode has a pure high voice that will cut diamond. I will also suggest a test track for you: "Holiday" by Erin Bode.
#DBX DRIVERACK 260 RESPONSE CURVE D FREQUENCY DRIVERS#
I eventually gave up on passive crossovers and EM drivers and started building bi-amp'd hybrid ESL's with active/DSP crossovers, which for me, is much easier! I've built speakers for a long time and passive crossovers were my downfall. I really admire anyone who can do what you've done here. I appreciate how difficult it is to match drivers seamlessly and obtain a balanced frequency response. Congrats on building such beautiful speakers!Īnd I'm glad to hear the tweeter worked out for you.